![]() The lens and camera database has also been updated. Autopano Giga allows you to stitch 2, 20, or 2,000 images. You can see the list of supported cameras here: DCRAW supported cameras. ![]() We have improved the RAW support in Autopano by integrating the lastest version of DCRAW. Although the painting represents the apparently rigorous application of the perspective technique, by “entering” the canvas it is possible to observe some exceptions to the geometric rules deliberately introduced by the artist, thus making the perspective restitution process an effective interpretative act of the work. The 4.4.2 is the new version of Autopano Pro/Giga. You can buy this on Kolor’s website.(opens in new tab) Digital Camera World offers a 10 discount until 19 November 2017. Open the exposure merging - HDR in Autopano Giga 4.4 When you've shot several photos from the same place but with different exposures in order to improve the dynamic of your photo - HDR technique - it's very easy to stitch them AND merge them together at the same time in Autopano. The inverse method of linear perspective was used to reveal the plants and sections corresponding to the perspective space of the painting, used as the basis for the reconstruction of the 3D model of the entire scenic composition. Autopano Giga 4 is available as a limited version on a free trial, which can be downloaded here(opens in new tab), after which it costs 199,00 exc. Auto Pano Giga has a small arsenal of options for render output which I will write about another time. The pictorial subject provides a series of very interesting ideas suitable for research of the role of perspective. The second screenshot shows the editing/tuning screen of Autopano Giga, which allows for a plethora of choices for straightening, projections, and other corrections to an image before rendering for final output. The research hypotheses were applied to a case study, or to the splendid “Last Supper” by the Flemish artist Gaspar Hovic, a canvas painted in oil (late 15th century AD) and kept in the Matrice SM Veterana Church di Triggiano (BA), where the representation of the suggestive moment of Jesus with the Apostles is carried out through numerous symbols, in an evocative architectural context rich in details. ![]() Generating a “sense of presence” in the viewer means connecting it with immediacy to the artist’s message and grasping even the most subtle elements of the painting that are difficult to understand, such as architectural inconsistencies or the play of perspectives that, very often, bring out the situations scripted, characterized by discoveries that prelude to the aesthetic pleasure as the multiplicity of meanings and the “stylistic overcoding” of the work is revealed. “Entering” a canvas to examine and learn about the work from unexplored points of view is an experiential “journey” in an environment reconstructed through the use and integration of innovative technologies, such as descriptive geometry and digital photogrammetry, solid modeling and immersive photography. ![]()
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